So, with Black Bullet airing this season, I’ve been thinking of the literal objectification of women in media. I don’t really feel compelled to go into depth about how this is an overarching problem and affects/influences our views and treatment of women because other people have said it and said it better, but I felt it would be interesting to compile a list of anime and manga that use this trope, both for women and men.
Note: this list does not say anything about my actual feelings about the particular series in question. In fact, I actually do enjoy reading/watching many of these. I’m simply illustrating a greater societal problem. And because I love making lists.
Will be updated whenever I find/remember more examples.
This season has Captain Earth. Automatically best season I’ve experienced since I returned to anime four seasons ago.
(Kyousougiga’s season could’ve been this, except I somehow neglected to watch Kyousougiga until the season was over and suffered through a completely shit season. Biggest regret.)
Anyway, I’m also planning on watching M3, but since it hasn’t aired yet (wow is this a super late-airing anime or what?) it’s excluded from this list. Might make a separate post for it when it finally airs… or not. Depends. If I don’t make one, just assume it’s turned out to be either really bland or really good. (Because if it was really bad, I would post just to complain about it.)
Part 2 of what will probably be a four-parter! Yay!
Also, surprisingly, other than InaKon, this post also comprises the shittiest anime (besides Hamatora) of the season. So whoo for getting this over with!
(Reminder that there is a trigger warning for Kill la Kill. Proceed with caution.)
Since it doesn’t seem like I’ll be getting to a short review of these anytime soon, I would just like to say that Samurai Flamenco and Seikai Seifuku were by far my favorite series of this season.
In fact, Samumenco was so absolutely incredible that it has secured a permanent place in my heart. Proof that animes that redeem themselves do exist–and Samumenco does great redemption narratives. (Also, I take back basically everything I’ve ever said about Masayoshi and Gotou’s relationship being fanservice-y/queerbait-y. You are amazing, Manglobe, and I hope you know that.)
Sekai Seifuku was just really fun, and while there was one slightly sour episode, the others were just so entertaining and (occasionally) heartwarming that I couldn’t help but love it. I can’t comment on the ending because I haven’t watched it yet (darn!), but I have faith that it’ll be an incredible finale. Also, take note, this is how you do filters right. Seriously, the aesthetics of this anime was great, and I loved how it complemented the series as a whole. Good stuff.
Is this blog going to consist only of initial and final impressions? (At this rate, it looks like yes.)
Anyway, this season was fairly mediocre, though there were a few standout gems that made it a lot better than last season (and only two absolutely terrible new series, actually).
No trigger warnings for this post, though there will be one in another post (for Kill la Kill).
Watching a total of… fifteen anime this season.
Well, this is going to be fun.
Last part of my
complaints quick reviews of the fall season.
At least Samumenco was worthwhile. Mostly.
Second part of my rant about the fall 2013 season.
Note: there will be trigger warnings for the Valvrave section. And there are some squick-ish things mentioned in the Galilei Donna one too.
So I watched a total of 9 anime during the fall season. (The most I’ve kept up with, ever, actually. Man, I haven’t watched this much for years.)
And, ultimately? I should have watched Kyousougiga. That seemed to be the only really good anime this season, and I completely missed it.
Thankfully, unlike the summer season, most of the anime were mediocre rather than terribad. Though there were still some major disappointments. Namely, Arpeggio of Blue Steel.
…Well, let’s just start there. (Obviously, there is a massive trigger warning for Diabolik Lovers. Just a heads up.)